In handling action details, I paid special attention to the character’s hand movements and body dynamics.

When the character’s fingers grasp, I focused on depicting the intensity of the grip. The bending angles of the first two finger joints increase significantly under force, while the curvature of the palm tightens, conveying a sense of concentrated strength.

During the character’s preparation for a forward dash with a sidestep, I added anticipatory movements to enhance the action’s logic and visual impact. This preparatory motion includes a slight backward tilt of the body, a sense of tension in the shoulders, and stabilization of the lower limbs. At this moment, the body enters a brief pause, with the accumulated energy ready to burst forth. Special attention was given to the body’s center of gravity, which leans slightly in the opposite direction to balance the force of the dash.

In designing the forward-leaning motion, I also emphasized the follow-up dynamic. Once the character completes the main forward-leaning action, their body subtly rebounds backward, creating a natural inertia effect. This small but crucial adjustment not only adds fluidity to the movement but also imbues the character with a greater sense of vitality and physical authenticity.